The One Movie That Made Marilyn Monroe a Gay Icon—Despite Critics Hating It

Marilyn Monroe’s enduring status as a gay icon can be traced back to one film that, despite being panned by critics upon release, has become a beloved cult classic among LGBTQ+ audiences: Gentlemen Prefer Blondes (1953). Directed by Howard Hawks, this musical comedy features Monroe as Lorelei Lee, a savvy gold-digging showgirl whose unforgettable performance of “Diamonds Are a Girl’s Best Friend” remains one of cinema’s most iconic moments.

At the time, critics largely dismissed Gentlemen Prefer Blondes as frivolous and accused it of objectifying its stars. However, Monroe’s portrayal of Lorelei—with her exaggerated femininity, impeccable comedic timing, and magnetic charm—resonated deeply within the queer community. The film’s camp sensibility, characterized by artifice, excess, and playful subversion, aligned perfectly with queer aesthetics, turning Monroe into a symbol of empowerment and joyous rebellion.

Lorelei’s character cleverly navigates a male-dominated world through wit and allure, challenging traditional gender roles while embracing her own power. This blend of glamour and subversion made Monroe’s performance an emblem of strength masked in sparkle—a combination that has captivated audiences for decades.

In stark contrast, more recent portrayals of Monroe, such as the 2022 film Blonde, have faced criticism for depicting her predominantly as a tragic victim. Critics argue these portrayals overshadow Monroe’s resilience and reduce her legacy to one of suffering, contrasting sharply with the confident, charismatic icon celebrated in Gentlemen Prefer Blondes.

Though it wasn’t initially hailed as a major cinematic achievement, Gentlemen Prefer Blondes has since been re-evaluated and embraced as a vital part of Monroe’s legacy. Its camp appeal and Monroe’s dazzling performance have cemented her as a gay icon—a symbol of strength, charm, and the playful spirit that continues to inspire and delight audiences today.