Why Jennifer Lawrence Was Unconcerned About ‘Mother!’s’ Failing Grade—Her Bold Career Move
OPINION: This article may contain commentary which reflects the author's opinion.
Jennifer Lawrence’s career has undergone a remarkable evolution. From her breakout role as Katniss Everdeen in The Hunger Games to her portrayal of the shape-shifting Mystique in the X-Men franchise, Lawrence initially rose to fame in the realm of teen dystopias and comic book adaptations. Yet, as the years have passed, Lawrence has moved beyond the blockbuster roles that initially defined her career, opting instead for more diverse and challenging projects.
Since The Hunger Games came to an end nearly a decade ago, Lawrence has seamlessly transitioned into award-season fare, working with acclaimed directors like David O. Russell and Adam McKay. Her career has flourished in a variety of roles, showcasing her ability to tackle complex and dramatic characters. However, one of her most daring and unconventional performances came in 2017 when she starred in Mother!, a psychological horror film directed by Darren Aronofsky.
Taking the Risk: ‘Mother!’ and Darren Aronofsky’s Intense Vision
Aronofsky, known for his unflinching approach to filmmaking, had previously gained attention for his work on films like Black Swan and Requiem for a Dream, both of which were praised for their raw intensity and complex themes. Mother! was no different, pushing boundaries with its harrowing violence and surrealist approach to biblical metaphors. The film saw Lawrence in the role of Mother, a woman whose peaceful life is disrupted by a flood of strange visitors and escalating violence. Co-starring Javier Bardem, Domhnall Gleeson, and Michelle Pfeiffer, the film offered a star-studded ensemble, but its disturbing content was not easily digested by all audiences.
As expected, the reactions to Mother! were polarizing. At the Venice Film Festival premiere, the film even elicited boos from the audience, signaling the discomfort it caused. Some critics and moviegoers found the film’s excessive violence and chaotic structure off-putting, while others praised Lawrence’s performance and the frantic energy of the film. Despite the divisiveness, Lawrence seemed unfazed by the negative reception, including the film’s infamous F grade on CinemaScore.
A Daring Move with No Regrets
For Lawrence, Mother! was a calculated risk—a project that was never meant to be a crowd-pleaser. In an interview with Deadline, she acknowledged that the film’s unorthodox nature was always part of the plan. “It’s certainly not a darling,” Lawrence admitted. “Every time you make a movie you hope everyone likes it. It’s your only thought. That never crossed our minds.” Instead of seeking universal approval, Lawrence and Aronofsky set out to create something bold and provocative, something that would challenge the audience rather than comfort them.
Lawrence’s approach to the film reflects a mature understanding of her craft. Rather than seeking praise or validation, she focused on creating a performance that was true to the vision she and Aronofsky had for the film. “I’m proud of us,” she said, “I’m proud of Darren, and I’m proud of banding together to deliver something we believe in.” This mindset showcases the growth of an actress who has moved beyond the need for external validation and is now more focused on artistic fulfillment.
Even with the film’s disappointing reception, Lawrence shrugged off the harsh CinemaScore rating, understanding that Mother! was never meant to be easy viewing. For Aronofsky, this was a deliberate choice, as his filmmaking style is designed to push the boundaries of comfort. His films are not meant to placate the audience; rather, they provoke discomfort and demand that viewers confront challenging themes and unrelenting violence.
A New Side to Lawrence’s Acting Abilities
One of the most intriguing aspects of Mother! is how it showcased a new side of Lawrence’s acting range. Audiences had become accustomed to seeing her in roles that were empowering, heroic, or at least sympathetic. Katniss Everdeen, for example, was a character who garnered instant admiration, while Mystique offered a more nuanced portrayal of a character caught between two worlds. However, in Mother!, Lawrence’s character was not someone who could rely on her traditional on-screen charm. Instead, her performance was raw, emotional, and deeply unsettling. The comfort of her familiar presence on screen couldn’t soften the impact of the horror and distress unfolding in the story.
In many ways, Lawrence’s decision to take on such a challenging role can be seen as an act of reinvention. She was no longer the golden girl of Hollywood action franchises, but an actress willing to step into darker, more uncomfortable territory. The film may not have been a commercial success, but it proved that Lawrence was unafraid to take risks in her career—an actress not content with repeating past successes, but willing to push her craft to new, uncharted territories.
The Legacy of ‘Mother!’: Embracing Artistic Freedom
Looking back on Mother! now, it’s clear that the film remains one of Lawrence’s most fearless choices. Despite the critical backlash, the movie earned respect from those who appreciated its ambition and its willingness to tackle difficult and controversial subjects. For Lawrence, it was a reminder that acting isn’t about winning over the audience—it’s about staying true to the vision of the filmmakers and the message they want to convey, regardless of whether that message is warmly received.
In the end, Mother! may not have been the box office success that The Hunger Games was, but it marked a pivotal moment in Lawrence’s career, where she embraced the art of ignoring bad reviews. As she continues to evolve as an actress, her willingness to take on challenging, unconventional roles signals that she is not afraid to venture into untested waters. For Lawrence, Mother! was more than just a film—it was a declaration that she had outgrown the need for mainstream approval, and that her artistic journey would no longer be dictated by what audiences expected, but by what she believed in.



